{"title":"Library","description":"","products":[{"product_id":"replica-by-rita-lino","title":"Replica by Rita Lino","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e‘Replica’ suggest a new reading of the body and the model as a pure image,\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003ea pure tool, without referring to any representative identity, hereby ignoring today’s contemporary society of what the self should be.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__text\"\u003e\n\u003cdiv class=\"info-wrapper box\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"single-info left box\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eLino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be “a machine that needs adjustments.” According to Mortensen the body must be the basis, “representation of personality and emotion […] are irrelevant and misleading”. There is a certain dehumanization in Mortensen’s approach to the model, a return of the body to an object without meaning, in front of the camera. Mortensen saw models as clay that form the image, a body was articulated only by the operator’s intention. He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eIn Lino’s case she is the model, the operator \/ photographer, the subject and the image at the same time. She is in complete control. She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine. ‘Replica’ is a manifestation of the artist’s understanding of her role in front of and behind the camera.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e‘Replica’ is a prescient of an approaching future in which identity will surrender to the carefree machine of image\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e21,5 × 29 cm, 120 p, ills colour and b\u0026amp;w, hardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eedit: Jurgen Maelfeyt \u0026amp; Rita Lino\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edesign: Jurgen Maelfeyt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003etext: Brad Feuerhelm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611266941196,"sku":"Replica by Rita Lino","price":39.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um14.56.01.png?v=1657890047"},{"product_id":"sister-sister-liv-liberg","title":"Sister Sister Liv Liberg","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003e\u003cspan data-mce-fragment=\"1\"\u003e17 x 24 cm, 506p, ills color paperback\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan data-mce-fragment=\"1\"\u003edesign and edit: Jurgen Maelfeyt\u003c\/span\u003e\u003c\/h6\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611279655180,"sku":"Sister Sister Liv Liberg","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um15.02.52.png?v=1657890320"},{"product_id":"cabin-fever-katie-burnett","title":"Cabin Fever Katie Burnett","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6\u003e\u003cspan data-mce-fragment=\"1\"\u003e17 x 22 cm, 80 p, Japanese binding, ills colour, poster dustjacket\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan data-mce-fragment=\"1\"\u003edesign and edit: Jurgen Maelfeyt \u0026amp; Katie Burnett\u003c\/span\u003e\u003c\/h6\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611281850636,"sku":"Cabin Fever Katie Burnett","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um15.06.41.png?v=1657890562"},{"product_id":"ravedeath-convention-jan-philipzen","title":"Ravedeath Convention by Jan Philipzen","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"product__more__1\"\u003eStarted as a visual diary, ‘Ravedeath Convention’ soon grew into  a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__text\"\u003e\n\u003cdiv class=\"info-wrapper box\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"single-info left box\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath, 1972’.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"product__more__1\"\u003e21 × 26 cm, 176p, ills b\u0026amp;w, paperback\u003cbr\u003eISBN 9789493146525\u003cbr\u003edesign and edit: Jan Philipzen \u0026amp; Jurgen Maelfeyt\u003c\/p\u003e\n\u003cp class=\"product__more__1\"\u003eEdition of 500\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611284963596,"sku":"Ravedeath Convention Jan Philipzen","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um15.10.30.png?v=1657890793"},{"product_id":"attack-jurgen-maelfeyt","title":"Attack Jurgen Maelfeyt","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e14 x 19 cm, 24 p, ills b\u0026amp;w, riso print, stapled\u003c\/span\u003e\u003c\/p\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611322646796,"sku":"Attack Jurgen Maelfeyt","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um16.24.42.png?v=1657895298"},{"product_id":"i-lied-aaron-mcelroy","title":"I lied Aaron McElroy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch6 class=\"product__more__1\"\u003eI Lied is a new book from Brooklyn-based photographer Aaron McElroy. For this series of photographs, McElroy continues to explore the female body and notions of sexuality. Several still life and landscape images complement the central subject matter. The arrangement and composition of the photographs allows viewers to arrive at their own conclusions about the narrative that intertwines the images.\u003c\/h6\u003e\n\u003ch6 class=\"product__more__1\"\u003e17 × 24 cm, 64 p, ills colour, paperback\u003cbr\u003eISBN 9789490800208\u003cbr\u003edesign: Jurgen Maelfeyt\u003c\/h6\u003e\n\u003ch6 class=\"product__more__1\"\u003eedition of 500 copies\u003c\/h6\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611326546188,"sku":"I lied Aaron McElroy","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um16.30.58.png?v=1657895602"},{"product_id":"democracy-duran-lantink","title":"Democracy by Duran Lantink","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__text\"\u003e\n\u003cdiv class=\"info-wrapper box\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"single-info left box\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe zine ‘Democracy’ is based on a mythical fashion collection, that goes by the same name, created by Duran Lantink. Both the collection and the zine are examples of how art can challenge and disrupt dominant social and political discourses. Lantinks collection consists of one-of-a-kind pieces created from deadstock and thus creating new work from existing materials referring to Marcel Duchamp’s ready-mades.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe pieces are documented in a series of more than 100 photographs in which the tertiary colour magenta is missing, due to Lantink running out of that colour ink on his printer. Despite the absence of magenta, Lantink decided not to reprint the images, creating a set of images that play with the viewer’s sense of perception.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn many ways, Lantinks work refers to the practice of Andy Warhol. Although Warhol’s screen printer is not considered a ‘machine’, he used screenprinting to multiply works of art. Warhol also revelled in his apparent machine aesthetic, noting, ‘The things I want to show are mechanical. Machines have fewer problems. I’d like to be a machine wouldn’t you?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e*Warhol quoted in David Bourdon, Warhol, Harry N Abrams Inc, New York, 1989, p 140.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-text box\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e In collaboration with gallery\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMadé Van Krimpen.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e29,7 × 21 cm, 80 p, ills colour, selfcovering\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edesign and editing: Jurgen Maelfeyt\u003c\/span\u003e\u003c\/p\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611327889676,"sku":"Democracy Duran Lantink","price":24.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um16.34.32.png?v=1657895865"},{"product_id":"furs-jurgen-maelfeyt","title":"Furs by Jurgen Maelfeyt","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-thumbnails=\".image--thumbnails\" data-maxzoom=\"0\" data-image-gallery=\"true\" data-image-slider=\"true\" class=\"product--image-container image-slider\"\u003e\n\u003cdiv class=\"image-slider--container\"\u003e\n\u003cdiv class=\"image-slider--slide masonry\"\u003e\n\u003cdiv class=\"image--box image-slider--item masonry-brick\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cheader class=\"product--header\"\u003e\n\u003cdiv class=\"product--info\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"w_price-infos\"\u003e\n\u003cdiv class=\"wizmo-product-countdown--data-container\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product--buybox block\"\u003e\n\u003cdiv class=\"buybox--inner\" itemtype=\"https:\/\/schema.org\/Offer\" itemscope=\"\" itemprop=\"offers\"\u003e\n\u003cdiv class=\"content--description\"\u003e\n\u003cdiv class=\"product--description\" itemprop=\"description\"\u003e\n\u003cp\u003eA series of furry photos binded together as a book by Jurgen Maelfeyt.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e23 x 30 cm, 48 p, ills colours, linnen hardcover\u003c\/span\u003e\u003c\/p\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611370488076,"sku":"Furs by Jurgen Maelfeyt","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um17.06.51.png?v=1657897899"},{"product_id":"epidermis-charlotte-lybeer","title":"Epidermis by Charlotte Lybeer","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e21,5 x 30,5 cm, 72 p, ills colour, paperback, English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesign: Studio Jurgen Maelfeyt\u003c\/span\u003e\u003c\/p\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43611372323084,"sku":"Epidermis Charlotte Lybeer","price":19.9,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/Bildschirmfoto2022-07-15um17.16.42.png?v=1657898399"},{"product_id":"butterflies-and-caterpillars-ardelle-schneider","title":"Butterflies and Caterpillars Ardelle Schneider","description":"Book","brand":"ARDELLE SCHNEIDER","offers":[{"title":"Default Title","offer_id":43611423572236,"sku":"Butterflies and Caterpillars Ardelle Schneider","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/the-dorf-ardelle-schneider-butterflies-caterpillars-2.jpg?v=1657901055"},{"product_id":"eggs-and-rarities-by-paul-kooiker","title":"Eggs and rarities by Paul Kooiker","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Kooiker’s “encyclopaedia of life” in 164 images. 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Intimate private photographs break through the seemingly objective approach so that public and private space spill over in.\u003c\/span\u003e\u003c\/p\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":43640182964492,"sku":"Eggs and Rarities by Paul Kooiker","price":48.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/IMG_4440.heic?v=1660578572"},{"product_id":"sex-theater","title":"Sex-Theater by André Gelpke","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndré Gelpke’s series »Sex-Theater« was produced in the 1970s and depicted performers from a number of different sex theatres in Hamburg’s St. Pauli district. »The fascination that captivated me as a photographer came from the personality of the individual, from the performer who was prepared to realize in public the secret sexual fantasies of an inhibited society, simply in exchange for a fee.«\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e»Sex-Theater« was first published as a book in 1981 and quickly sold out. The edition produced by Spector Books together with cpress represents a new »staging« of the series: it includes an expanded selection of images and new texts, and is presented in a form that offers this collection of photos a contemporary framing. The era that is depicted here is over, and the decline of these clubs is documented\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ein Sex-Theater.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":43775727436044,"sku":"Sex-Theater","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/p1010115_1.jpg?v=1669286468"},{"product_id":"wolfram-lotz-monologe","title":"Monologe by Wolfram Lotz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt all starts with a refusal: »We will no longer eat the sausages of truth they fry for us,« Wolfram Lotz proclaims in his programmatic »Speech on the Theatre of the Impossible« of 2010. Since then, the young playwright has served us with a range of tasty alternatives. In his monologues a Somalian pirate graduate defends himself before the regional court in Hamburg (»to ease matters I shall address you in German«), a certain German politician, Thilo Sarrazin, seeks to define »the anus as the main genital« and mother Lotz worries about her stuttering Wolfi. »Monologe« is the first book by Wolfram Lotz and also marks the start of a new series. Volte, associated with the literary magazine EDIT, is a periodical dedicated to the wealth of literary forms beyond the novel and will present short fiction, essays and dramatic writing by various authors.\u003c\/span\u003e\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":43775987450124,"sku":"Wolfram Lotz Monologe","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/p1011412_1.jpg?v=1669292487"},{"product_id":"poster-boy-issue-03","title":"Poster Boy Issue 03","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch6\u003e\u003cspan data-mce-fragment=\"1\"\u003ePOSTER BOY is a magazine made up of posters – a poster magazine.\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan data-mce-fragment=\"1\"\u003eCreated in The Netherlands, it's a quarterly collection of six male models shot in both colour and black-white with a contemporary cool, minimalist vibe. 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So einfach diese Fragen auch scheinen, in der Hektik des Alltags verliert man zu oft sich selbst und seine Bedürfnisse aus den Augen. Balance in unserer schnelllebigen Welt zu finden, bedeutet, zu verstehen, wo wir herkommen und zu uns selbst zurückzukehren, um so ein authentisches Leben zu führen. 44 Karten geben wertvolle Impulse, die dabei helfen, sich selbst besser kennen zu lernen und um sich herum ein Umfeld zu gestalten, das nicht toxisch, sondern bereichernd ist.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÜber die Autorin:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eNina Brockmann, geboren 1993, hat Journalismus und Medienkommunikation in Hamburg studiert. Doch nachdem sie einige Jahre in sehr schnelllebigen, oftmals toxischen Umfeldern gearbeitet hatte, entschied sie sich, ihren Lebensweg zu ändern. 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Ihre Erkenntnisse gibt sie heute auf Instagram und ihrer Praxis in Berlin weiter.\u003c\/span\u003e\u003c\/p\u003e","brand":"DISTRIBOOK","offers":[{"title":"Default Title","offer_id":44355634299148,"sku":"Den Authentisches Selbst - The Gnani - Nina Brockmann","price":24.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/files\/44681626_4251385308021_xl_dd5a3cd4-ffd0-4a82-b4e7-75722110e01f.jpg?v=1736247201"},{"product_id":"sybren-vanoverberghe-sandcastles-and-rubbish","title":"Sandcastles and rubbish by Sybren Vanoverberghe","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch6 class=\"product__more__1\"\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cdiv class=\"product__text\"\u003e\n\u003cdiv class=\"info-wrapper box\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"single-info left box\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘Sandcastles And Rubbish’ is the fourth publication by Sybren Vanoverberghe with APE and is a continuation of his visual research on artefacts and non ordinary sites. ‘Sandcastles And Rubbish’ puts its focus on the site of the port and the industrial landscape around it.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn previous projects Vanoverberghe shows statues and pillars made out of stone, ruins in desolated landscapes or nature in a constant state of transformation. For ‘Sandcastles And Rubbish’ a change in materiality took place, a change wherein Vanoverberghe investigates ‘new’ artefacts of our time. Rusted and bend steel, gravel pits, sturdy and raw structures flirt with composition and elegancy. Photographic works are presented alongside artefacts or ‘objets trouvées’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eQuestions are raised about the value of an object and how value changes as time passes by. 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By virtue of its form, a book is finite, a neat vessel that lends itself to those narratives with a beginning and end. Krijno’s work, however, is not finite; it has no resolution or discernible moments that can be easily pointed at, bound and labelled. And neither does it ebb or flow in tidy rhythms but accumulates, constantly and relentlessly. If anything, Krijno’s work feels — as it always has — more akin to some outpouring of seemingly blithe, childlike play: disorientating and fantastical, and at times almost absurd, but wondrous nevertheless. It is this outpouring though that puts Krijno’s work at odds with the book.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"single-text box\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYet for all of this, the book, of which\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCollages\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e2020-22 is the latest and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003emost generous\u003c\/em\u003e, feels a necessary endeavour. When seen in this way, en masse yet contained, it is arguably when we can best understand Krijno. Here we can understand the gravity of performance and process; understand how his work is always more than the sum of its parts; understand how he drifts in one direction to unravel new forms and ideas before returning to a more familiar albeit now different path. And we can understand that for all the similarities his work has with unbridled play, there is something more pointed, more intentional; a kind of persistence and eagerness to exhaust all possibilities that does not exist in the wholly innocent play of a child. Seen in an exhibition or online, one fragmented and the other truly endless, these characteristics and intentions feel more hidden, less tangible. It could be said then that\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCollages 2020-22\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eis necessary on two fronts. 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The space in between everyday objects become the basis from which unexpected abstract shapes are systematically derived. The artist then uses these abstract shapes in the creation of networks. Tis is how this publication Idiosyncratic Copy Machine was conceived. In collaboration with Niek Pladet, a new procedure was developed that applies the logic of the Idiosyncratic Machine in the graphic realm. Two shapes were placed on the plate glass of a photocopier, copied and cut out. The resulting remainder then became the original for a new copy, again yielding a reminder to be worked with. These steps were repeated 30 times. This publication is the documentation of that process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"product__text\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"product__text\"\u003e\n\u003cp class=\"product__more__1\"\u003e21 × 30 cm, 40 p, ills b\u0026amp;w, stapled\u003cbr\u003eISBN 9789490800505\u003cbr\u003elanguage: English\u003c\/p\u003e\n\u003cp class=\"product__more__1\"\u003eedition of 300\u003cbr\u003eMarch 2016\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ARTPAPEREDITIONS","offers":[{"title":"Default Title","offer_id":44386313339148,"sku":"Kristof Van Gestel, Niek Pladet - Idiosyncratic Copy Machine","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0354\/9298\/6939\/products\/niekkrist_0000_IMG_1454_jpg_1920x_508cccd7-8042-4051-a33e-9db7f2a02b0b.jpg?v=1681922098"},{"product_id":"marie-dehe-distant-intimacy","title":"Marie Déhé - Distant Intimacy","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"product__more__1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"product__text\"\u003e\n\u003cdiv class=\"info-wrapper box\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"single-info left box\" data-mce-fragment=\"1\"\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e“I want to photograph you from distance. 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The reader views infrastructures not only as material phenomena and physical networks but also as immaterial relations and symbolic actions, which, in visible and invisible ways, form our present and, hence, our horizon of aesthetic perception. The interplay between the material and ideological conditions of production, distribution, and presentation directs our gaze, schooled as it is in institutional critique, onto real and symbolic orders, sites, and economies. The book is based on a cooperation between the Academy of Fine Arts Leipzig and the Academy of Fine Arts Vienna: this started in Leipzig in 2021 with the lecture series and exhibition Broken Relations: Infrastructure and Interruption and continued in Vienna in 2022 with the exhibition Conditions and Frameworks: Infrastructure as Form and Medium and the conference Broken Relations: Infrastructure, Aesthetics, and Critique.\u003c\/p\u003e\n\u003cp\u003eMartin Beck is an artist and professor at the Academy of Fine Arts Vienna. 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